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Sifaatul Huroof Pt 2 February 22, 2012

This post wraps up sifaatul huroof by noting the definition of sifaatul ‘aaridah, as well as pointing out some important notes.

Sifaatul ‘Aaridah as briefly discussed in the previous post, is translated to ‘redundant characteristics’. A sifah ‘aaridah is that characteristic which “adds to” or “completes” a letter, such that if it were to be removed from it, it would not affect the actual letter; it is an additional right [which must be exercised] of the letter. Examples of sifaatul ‘aaridah include rules such as tafkheem, idghaam, ikhfaa, and imaalah. Most of these rules of tajweed have been studied closely on the site as independant tajweed rules.


To conclude sifaatul huroof, there are a few things to note.


Firstly, hamzah is of two types: hamzatul wasl, and hamzatul qat. Follow the links on each to read about them in detail.


Secondly, although the letters yaa and waaw come in two forms (vowels/maddeeyah and consonant) the letter alif is always a vowel (madd letter). Since a word can only begin with a consonant sound, if the written form of the alif begins a word, really it is a form of hamzah (see hamzah posts).


Finally, enjoy the documents uploaded to the resources page containing a table of the letters and their sifaat, as well as the makhaarij of the letters [these may take a couple of days to go live].


Sifaatul Huroof February 14, 2012

As we encounter new people in our lives, we pick up on their characteristics, their qualities and way of being. We learn to appreciate or criticise these. In the same way, the letters of tajweed all have rights which we must abide by. They have characteristics, or qualities, most of which we must embrace, and few which we must avoid…

Sifaatul huroof [1]: directly translates to “characteristics of the letters”. It is important to study these to ensure they are present during recitation, such that letters emerging from the same makhraj (point of articulation) are differentiated. Perfection in pronunciation cannot be obtained unless both the sifah (characteristic/quality) and makhraj are correct.

Sifaatul huroof are divided into two categories:

1. Sifaatul laazimah (al-thaatiyyah) [2]

translated to ‘permanent characteristics’ is that characteristic which is part of the makeup of the letter, it cannot be removed from it; it is a right [which must be exercised] of the letter.

2. Sifaatul ‘aaridah (al-zaa’idah) [3]

translated to ‘redundant characteristics’ is that characteristic which “adds to” or “completes” a letter, such that if it were to be removed from it, it would not affect the actual letter; it is an additional right [which must be exercised] of the letter.

In this post, we’ll hone in on sifaatul laazimah. Within this category, there are 17 characteristics spread across two branches. The first branch is sifaatul mutadaaddah[4] which means opposing characteristics (that is, for any given characteristic, there is an opposite characteristic). The second branch is sifaat ghayr mutadaaddah[5] which means characters without opposites.

Sifaatul Mutadaaddah

Five characteristics, with five opposites total ten of the 17 sifaat. Each letter has at least five characteristics, one from either pair of opposites.Below is the list of five pairs in the format of sifah, then opposing sifah.

1. Al-Hams ( الهمس ) – whispering: flow of breath upon pronunciation due to being fairly independent of the makhraj; applied to the letters

 ت   ث   ح   خ   س   ش   ص   ف   ك   هـ

gathered in the sentence

فَحَثَّهُ شَخْصٌ سَكَتْ

2. Al-Jahr ( الجهر ) – audibility: of the letters which traps air flow due to heavy reliance on the makhraj; applied to all the remaining letters not included in hams.

3. a) Al-Shiddah ( الشدة ) – strength/force: is when the flow of sound is trapped in the makhraj; this is due to a heavy reliance on the makhraj and is applied to 8 letters

أ   ب   ت   ج   د   ط   ق   ك

gathered in the sentence

أجِدْ قَطٍ بَكَتْ

3. b) Al-tawasut/Al-bayneeyah ( البينية ) – is a middle characteristic, lingering betwen shiddah and rakhaawah (the opposite sifah); this is when the sound emerges but does not flow; applied to the letters

ر   ع   ل   م   ن

gathered in the sentence

لِنْ عُمَرْ

4. Al-Rakhaawah ( الرخاوة ) – weakness: such that there is a flow of sound upon pronunciation; applied to the remaining 16 letters not included in shiddah or al-bayneeyah.

5. Al-Isti’laa’ ( الاستعلاء ) – elevation: of aqsal-lisaan (deep area of the tongue) towards the roof of the mouth when pronouncing one of the seven isti’laa’ letters

خ   ص   ض   ط   ظ   غ   ق

gathered in the sentence

خُصَّ ضَغْطٍ قِظْ

these letters are sometimes referred to as “the grumpy letters”, because the lips move in when pronouncing them, and because they’re heavy – hence quite a mouthful to say!

6. Al-Istifaal ( الاستفال ) – lowness: referring to the lowering of the deep area of the tongue (aqsal lisaan) to the floor of the mouth during the emergence of the letter; applied to all the remaining letters not mentioned in isti’laa’. These letters are often called “the happy letters” because the lips form a small smile when pronouncing them.

7. Al-Itbaaq ( الإطباق ) – closing: referring to pressing the majority of the tongue against that which corresponds to it from the hard palate; it is applied to four letters

ص   ض   ط   ظ

8. Al-Infitaah ( الانفتاح ) – opening: referring to the separation of the tongue (or most of the tongue) from the roof of the mouth upon pronunciation of a letter; applies to the remaining letters not mentioned in itbaaq.

9. Al-Ithlaaq ( الإذْلاق ) – ease or fluency: of the letters emerging from the tip of the tongue and lips, which are

ب   ر   ف   ل   م   ن

gathered in the sentence

فِرَّ مَنْ لُبْ

10. Al-Ismaat ( الإصمات ) – refrain or restraint: of the emergence of the letter from within the mouth and throat; this rule relates to Arabic grammar, but can be taken as stated above for simplicity; applied to the letters not mentioned in ithlaaq.

Sifaat Ghayr Mutadaaddah

Encapsulates the remaining 7 of 17 characteristics. Some of the above letters have an additional sifah ghayr mutadaaddah. The actual sifah and it’s corresponding letter(s) are listed below.

1. Al-Safeer ( الصفير ) – whistling: that sound emerging from the tip of the tongue and upper front teeth, audible even when reciting in a whisper. Applied to the letters

ز   س   ص

 with note that the letter zaay has a more buzzing sound than the whistling sound in seen and saad.

2. Al-Qalqalah ( القلقلة ) –  vibration/echoing: occurs at the makhraj of the saakin letter upon pronunciation due to the letter’s strength (shiddah) and audibility (jahr) correlating to the prevention of breath and sound flow. (This means, when qalqalah is exercised, a burst of the sound and breath occur, hence making the letter audible). Applied to the letters

ب   ج   د   ط   ق

gathered in the sentence

قُطْبُ جَد

3. Al-Leen ( اللين ) – ease: in pronouncing the letter (emergence of the letter without exertion). Applied to the letters waaw saakinah and yaa saakinah that follow a fat-ha

وْ   يْ

such as in the words




4. Al-Inhiraaf ( الانحراف ) – inclination: of the tongue, such that the makhraj for the two letters laam ( ل ) and raa ( ر ) is slightly inclined from the makhraj of noon ( ن ). Another explanation of this sifah states: it’s the inclination of the letter after it emerges from it’s makhraj towards another makhraj. This applies to the letters

ل   ر

such that laam inclines towards the tip of the tongue and the letter raa inclines back towards the makhraj of the laam.

5. Al-Takreer ( التكرير ) – repetition: or rolling the tongue upon pronouncing the letter. This quality applies to the letter


and should be avoided by pressing the tip of the tongue against the hard palate and letting it ‘roll’ back once (to produce the sound of raa).

6. Al-Tafashee ( التفشِّي ) – diffusion: of air in the mouth upon pronouncing the letter. Applies to the letter


7. Al-Istitaalah ( الاستطالة ) – elongation: referring to the length of the makhraj; or the extension of sound over the entire edge of the tongue. It is a characteristic of the letter


and is particularly noticeable when the letter has a sukoon, such as in the word


That wraps up the first category of sifaatul huroof. I’m hoping a cosy feeling has set upon you as you’ve realised that some of the sifaat ghayr mutadaaddah are actually tajweed rues we’ve covered before. Links to them are above.

Resources link:

Makhaarij Al-Huroof document

Muthakarah Fit-tajweed [page 53 – 56]

[1] صفات الحروف
[2] صفات لازمة – الذاتية
[3] صفات العارضة – الزائدة
[4] صفات المتضادّة
[5] صفات غير متضادّة


Tajweed Quizzes February 8, 2012

Filed under: Tajweed Quizzes — heesbees tajweed @ 8:07 pm
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Asalamu alaykum!

The first of a few series of tajweed quizzes is now available, start the quiz by hitting the button below. Access to previous/current/upcoming quizzes will be accessible through the “quiz” page, going live within the next couple of days.

Study hard… 🙂


Makhaarij Al-Huroof: Al-Khayshoom February 2, 2012

Taking in big fresh breaths of air isn’t the only thing your nose can do… Don’t hold your breath for too long, I’ll confess: it’s capable of adding a beautiful humming-like tone to your recitation, by producing a ghunnah. Read all about it below…

Al-Khayshoom [1]: means the nasal passage. The nasal passage is the 17th and last makhraj to be studied. It contains only one point of articulation. The nasal passage is similar to the jawf in that is an “open area”, but within the nose. From this area, a ghunnah is produced, noting that the tongue has no part in producing the ghunnah.. It’s important to understand that a ghunnah is not a letter, rather, it is a fundamental characteristic, or quality, for the letters noon and meem as it is part of their original makeup.

It is sounded whether these letters have a fat-ha, dammah, kasrah, shaddah, or sukoon. Likewise, it is also sounded when doing idghaam, ikhfaa’ or ith-haar.

To understand how ghunnah works (and its significance), block your nose completely by pinching it with two fingers, then try to say a word with the letter noon or meem, or simply sound the letter ( أنْ ) or ( أمْ ). You’ll notice that you are unable to sound these letters properly without the nasal passage being open (and producing ghunnah)!

So, this wraps up the 17 makhaarij al-huroof, with just a couple of very important points to make.

First, to figure out the makhraj of a letter, pronounce it with a sukoon, preceded by a fat-ha. Examples,

أدْ         أعْ          أتْ          أشْ          أضْ

Second, note there are 28 letters in the Arabic alphabet, however, there are 31 huroof al-tajweed (tajweed letters). The extra letters are hamzah, consonant yaa’, and consonant waaw.

Keep an eye out for the upcoming topic, sifaatul-huroof: the characteristics/qualities of the letters.

Resources Link:

– Makhaarij Al-Huroof document

Note, this document is found on the resources page.

Related Posts: Makhaarij Al-Huroof: Al-Jawf – Makhraj Al-Halq – Makhraj Al-Lisaan Pt 1 – Makhraj Al-Lisaan Pt 2 – Makhraj: Al-Shafataan

[1] الخيشوم